Blood and Books: Performing Code Switching
DOI:
https://doi.org/10.17169/fqs-9.2.390Keywords:
dance, Maori, New Zealand, orality, oral history, code switchingAbstract
Code switching is a linguistic term that identifies ways individuals use communication modes and registers to negotiate difference in social relations. This essay suggests that arts-based inquiry, in the form of choreography and performance, provides a suitable and efficacious location within which both verbal and nonverbal channels of code switching can be investigated. Blood and Books, a case study of dance choreography within the context of post-colonial Maori performance in Aotearoa/New Zealand, is described and analyzed for its performance of code switching. The essay is framed by a discussion of how arts-based research within tertiary higher education requires careful negotiation in the form of code switching, as performed by the author's reflexive use of vernacular and formal registers in the essay. URN: urn:nbn:de:0114-fqs0802462Downloads
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Published
2008-05-31
How to Cite
Friedman, J. (2008). Blood and Books: Performing Code Switching. Forum Qualitative Sozialforschung Forum: Qualitative Social Research, 9(2). https://doi.org/10.17169/fqs-9.2.390
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Copyright (c) 2008 Jeff Friedman
This work is licensed under a Creative Commons Attribution 4.0 International License.