Review: Lesa Lockford (2004). Performing Femininity: Rewriting Gender Identity
DOI:
https://doi.org/10.17169/fqs-7.2.98Keywords:
auto-ethnography, feminism, performance studies, abjection, embodiment, identityAbstract
Performing Femininity is composed of a series of performances presented by the author to a varied audience, from customers at a strip club in New Orleans to a university class, in which a feminist history "Spin the Bottle" game was an integral part. Challenging the dominant discourse of feminist theorists, LOCKFORD looks for strength and liberatory possibilities in what appear to be forms of abjection. Traditional topics of embodiment are rediscovered in this provocative book. URN: urn:nbn:de:0114-fqs0602130Downloads
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Published
2006-03-31
How to Cite
Gergen, M. (2006). Review: Lesa Lockford (2004). Performing Femininity: Rewriting Gender Identity. Forum Qualitative Sozialforschung Forum: Qualitative Social Research, 7(2). https://doi.org/10.17169/fqs-7.2.98
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Copyright (c) 2006 Mary Gergen
This work is licensed under a Creative Commons Attribution 4.0 International License.