Constructions of Collective Belongings through Art by Migrants from Cuba in Germany and South Florida
DOI:
https://doi.org/10.17169/fqs-10.3.1386Keywords:
Cuban migration, South Florida, Germany, constructions of belongings, biographical case reconstruction, artAbstract
This essay focuses on Cuban immigration to South Florida and Germany. Focusing on two biographies, this essay shall introduce the migration backgrounds and living conditions in the countries of immigration. The construction of ethnic belonging for migrants from Cuba is unquestioningly self-evident for migrants from Cuba both in Germany and Florida. In creating this ethnic belonging, immigrants refer to Cuba's history, culture and art. Strong similarities can be found in these constructions despite the rather different circumstances that the migrants face in their countries of immigration. In terms of the use of art in these constructions, a biographical empirical approach can show how occupation as an artist can either help individuals find solutions for contradictory aspects of life in the country of immigration or help create continuity with the migrants' past prior to their migration. URN: urn:nbn:de:0114-fqs0903318Downloads
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Published
2009-09-29
How to Cite
Köttig, M. (2009). Constructions of Collective Belongings through Art by Migrants from Cuba in Germany and South Florida. Forum Qualitative Sozialforschung Forum: Qualitative Social Research, 10(3). https://doi.org/10.17169/fqs-10.3.1386
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Copyright (c) 2009 Michaela Köttig
This work is licensed under a Creative Commons Attribution 4.0 International License.